The Scene Of The Screen: Envisioning Cinematc And Electronic Presence

This is the first 1,000 characters of 9125 words (36.5 pages) in the term paper titled The Scene Of The Screen: Envisioning Cinematc And Electronic Presence

The Scene of the Screen: Envisioning Cinematc and Electronic "Presence"

This essay is published in Materialities of Communication., eds. Hans Ulrich Gumbrecht and K. Ludwig Pfeiffer (Stanford: Stanford University Press, 1994): 83-106. A much shorter version also appeared in Post Script: Essays in Film and the Humanties 10.1 (Fall 1990): 50-59, under the title "Toward a Phenomenology of Cinematic and Electronic Presence: The Scene of the Screen." It is used here with the permission of the author.

It is obvious that cinematic and electronic technologies of representation have had enormous impact upon our means of signification during the past century. Less obvious, however, is the similar impact these technologies have had upon the historically particular significance or "sense" we have and make of those temporal and spatial coordinates that radically inform and orient our social, individual, and bodily existences. At this point in time in the United States, whether or not we ...

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